At Eternity’s Gate will screen at Lincoln Center's Alice Tully Hall on Friday, October 12. DVD Music is Music, a film directed by Mathieu Amalric (20 minutes, 2017) Crazy Girl Crazy. With : Barbara Hannigan, Simon Rattle Documentary. So really it was just "Oh god, a biopic? It became listening to her music and filming Jeanne and her work with the piano. At the Regency Hotel on Park Avenue over breakfast, Mathieu Amalric discussed with me Pierre Léon's initial involvement with Barbara, Jeanne Balibar's performance, a clip from Jacques Brel's film Franz, an Orson Welles' The Lady From Shanghai moment, and filming sensations. MA: Yes, I couldn't imagine. AKT: That little Orson Welles moment you have - The Lady From Shanghai? Label: Alpha Classics CD+DVD: Alpha 293 ⓟ Barbara Hannigan, Ludwig, … On Barbara, this French legend? CBS Films will release At Eternity’s Gate in November 2018. MA: Yes, and maybe going through Brigitte it was possible and then the room is red and she is in bed with a man. “I love the food in Paris. What you did with the letters and colours and sounds made it impossible for me to read the end credits - which was amazing in itself as an experience. MA: Absolutely. The director teamed up once again with cinematographer Christophe Beaucarne and editor François Gédigier, both of whom he worked with on The Blue Room (La Chambre Bleue), to enter the nebulous terrain of an audio-visual memoir that blurs the record to reveal the truth. It was creating a dispositive that would not be a prison for her because that's the problem of biopics. It's from an album where she explains to an arranger what colour she is searching for. And they only found a blue Mercedes. Mama Weed director Jean-Paul Salomé talks adaptations, star collaboration and Covid, Stay-At-Home Seven: November 2 to 8 Win Two By Two Overboard! > It became listening to her music and filming Jeanne and her work with the piano. merchandise in our latest competition. That's all; that was my job. Barbara had its world premiere at the 2017 Cannes Film Festival where it won the Un Certain Regard Poetry of Cinema Award. Like many people of my generation, I almost did not dare to approach ballet and opera, since these art forms seemed too noble. It was the spirit we were waiting for. And that was a commission as well. [We have coffee and Mathieu orders a blueberry muffin]. It was her own space. In a very charming way. Anne-Katrin Titze: What I like so much about your film is that whereas so many movies try to solve the mystery, unravel the mystery, you are doing the opposite. And Oh la la la! Just to be an historian before and then leave it. You know why? How did that opening sequence come about? What are Joe Biden and Donald Trump’s remaining paths to victory? You wanted more mystery? Sheets of reality and calendar years merge into a forceful Once Upon a Time that unites the enchanted, be it in Paris or New York or Göttingen, in Mathieu Amalric's ravishing Barbara. Hannigan's life as an artist has been the subject of two documentaries: Accentus Music's documentary I'm a creative animal, produced at Lucerne Festival 2014 where she was Artiste Etoile, Dutch television's Canadees Podiumdier (NTR 2014), as well as Mathieu Amalric's short … More than 200 screenings to be postponed due to fresh English lockdown. Hannigan's life as an artist has been the subject of two documentaries: Accentus Music's documentary I'm a creative animal, produced at Lucerne Festival 2014 where she was Artiste Etoile, Dutch television's Canadees Podiumdier (NTR 2014), as well as Mathieu Amalric's short … Genre community pays respects, French Film Festival hit by cinema closures Where in the body is the source of this unsettling anomaly of singing, where does it find its softness and power ? > Now me! Mathieu Amalric on directing Barbara: "There would be immediately a presence. He tried to do this film over eight years and he didn't manage. It was the spirit we were waiting for. Completely. Mathieu is also the narrator for Julien Faraut’s John McEnroe: In The Realm Of Perfection and had his films on John Zorn and Barbara Hannigan shown in the Spotlight on Documentary program of the 55th New York Film Festival.. I didn't just want Brigitte watching - they should be mixed in the same space. AKT: And the intermediary character of Brigitte arrived late in the process? MA: Very late. I wanted to hear more of the songs, too. It completely moved me. Legal. Something like that. It was more a reaction as a spectator, in fact. Mathieu is also the narrator for Julien Faraut’s John McEnroe: In The Realm Of Perfection and had his films on John Zorn and Barbara Hannigan shown in the Spotlight on Documentary program of the 55th New York Film Festival. ", Mathieu Amalric starred in and directed The Blue Room (La Chambre Bleue), Mathieu Amalric on Jeanne Balibar in Barbara: "It was more a reaction as a spectator, in fact. That she had the space for that. The vibration, the air, the sound… Could it be that between the cry of the baby, the spell of the lullaby, the terror of Hitchcock’s heroine under the shower, the respiration at work or the groans of pleasure, Barbara Hannigan whispers the way to me?...», THERE IS JOY IN THIS STRUGGLE Jean-Gabriel Périot, Thierry Escaich, © 2020 – Opéra national de Paris This year the film won five César Awards: Best Actress for Jeanne Balibar, Best Original Screenplay Mathieu Amalric and Philippe Di Folco, Best Cinematography Christophe Beaucarne, Best Editing François Gédigier, and Best Sound Olivier Mauvezin, Nicolas Moreau and Stéphane Thiébaut. The opening credits are already setting the tone in Barbara. That she wouldn't be in a performance but in something bigger than that, more wild than that. We've recently been covering Welsh horror festival Abertoir, New York's Newfest, the October edition of Frightfest, the Scottish Queer International Film Festival, the London Film Festival, the New York Film Festival, the Venice Film Festival, Manchester's Grimmfest and the San Sebastian Film Festival. BERIO Sequenza III for voice (1965) BERG Lulu Suite (1934) GERSHWIN Girl Crazy Suite arranged by Bill Elliott and Barbara Hannigan; Orchestrated by Bill Elliott. Mathieu Amalric : Jolie déclaration à sa compagne Barbara Hannigan. Spirit is arriving. Already the opening credits lead us into its dream logic of substitutions and doublings. And then your name, Mathieu, with a big A, comes up and it's funny because it's a bit of Look at me!, like the character you play in the film. Barbara is even more mysterious to me now after seeing your film. It was this game on notes and letters. I would breathe. The 2018 New York Film Festival runs from September 28 through October 14. AKT: I have synesthesia and my alphabet has colours. ©2006-2020 Eye For Film. It was this duration. How do you do that?" I could go with a shot of 25 minutes. Like many people of my generation, I almost did not dare to approach ballet and opera, since these art forms seemed too noble. Each time there would be a note on the piano, there would be another letter. Maybe just start from the novice’s pure physical fascination : where do these inhuman voices come from ? AKT: The footage included, for example from the Jacques Brel film Franz, what it does, is it makes you want to see more. MA: She had blue in her room. Her partner, the actor and film-maker Mathieu Amalric, is here. C'EST PRESQUE AU BOUT DU MONDE, «When the Paris Opera invited me to shoot a film for the “3e Scène”, I was caught off guard. duration : 15:41" Synopsis ; You will also like ; Synopsis «When the Paris Opera invited me to shoot a film for the “3e Scène”, I was caught off guard. Home Nature boy And he asked me because they were tired and wouldn't believe in it anymore. ", Cleanin' Up The Town: Remembering Ghostbusters, French Film Festival hit by cinema closures, Scottish Queer International Film Festival. All rights reserved. MA: It's visions. The Bs and As in the names Balibar and Barbara. There's no meaning for the blue Mercedes. It's important to leave it. Mathieu Amalric Director. ", Carlotta (Marion Cotillard) with Ismael (Mathieu Amalric) in Arnaud Desplechin's Ismael's Ghosts (Les Fantômes D'Ismaël), Mathieu Amalric on Jeanne Balibar as Brigitte in Barbara: "The whole work in fact really was to be able just to be in sensations. It wasn't In Bed With Barbara. Did you set out to do that? I couldn't film in her bedroom. MA: It was the sound. So there was Jeanne, there was the music, and yes, mystery. And he said "Why don't you try?" When we were shooting something, we would be only filming sensation so to hide always the dispositive. Contact Melina León on Song Without A Name and opening doors for Peruvian women, Johnny Kevorkian dies You always leave at the right time. You know, it's Pierre Léon that was supposed to do this film. The singer is called Barbara Hannigan. It’s extremely erotic. It was more like spiritism. Mathieu Amalric: Yes, maybe I wasn't thinking about more mystery. Your last film's title was The Blue Room, you just had a blueberry muffin [blueberries feature prominently in Wes Anderson's Fantastic Mr. Fox. That's why it's always through doors that you see this blue. 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It was with Jeanne already. Ah, yes, cinema is arriving. AKT: That makes sense, strangely enough. Malia Scharf and Max Basch on Kenny Scharf: When Worlds Collide, Huppert lightens up her image The whole work in fact really was to be able just to be in sensations. The Bs and As meld in the names Barbara and Balibar, as in Jeanne Balibar, who stars as Brigitte who plays real-life singer Barbara in the film within the film. Barbara Hannigan soprano and conductor LUDWIG Orchestra. Films to catch on TV and streaming services this week, Expanding horizons You wake up and it's gone but it's there. Mathieu Amalric will soon be seen as Dr. Paul Gachet in Julian Schnabel’s At Eternity’s Gate (Closing Night film of the 56th New York Film Festival), co-written with Jean-Claude Carrière and Louise Kugelberg, shot by Benoît Delhomme, and starring Willem Dafoe as Vincent van Gogh, with Oscar Isaac as Paul Gauguin, Rupert Friend as Theo, Emmanuelle Seigner, Mads Mikkelsen, and Niels Arestrup. It’s just a Soprano who warms up her voice before the rehearsals. Nabokov describes this in Speak, Memory. As close to the songs, as her music goes directly to a vibration, an intimate vibration. Because I was angry against an assistant because everybody knew we were looking for a grey Mercedes or a brown Mercedes that she had. Mathieu is the French voice for Mr Fox], Barbara has midnight blue walls and there is a controversy about her Mercedes being blue. So it's edited in the right place. That's how we started. I was very very very afraid each time of the film in the film dispositive. The seed was always the sound that comes from a song by Barbara, that is Chanson Pour Une Absente. Which brings us to the question of accuracy. There would be immediately a presence. I love the little shops. John McEnroe: In the Realm Of Perfection opens at Film Forum in New York on August 23. That was for me impossible for the lovers of Barbara: Make note, I'm sorry I'm showing you a blue but I know it wasn't blue.
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